Or maybe how not to!
Diversion Books has just released several of my backlist
titles on e-books. They have titled the trilogy I wrote as the French Maiden
Series. They are MARIELLE, LYSETTE and DELPHINE, the first three books I ever
wrote.
Now, when you write a sequel, there are several things you
must keep in mind. First, you must leave enough threads in the previous book to
hang a new plot on. That means enough characters, as well. And enough
unresolved issues, without “cheating” the book you’re working on, or leaving
the reader with a sense that there’s still a major problem left hanging.
As an example: my book, PROMISE OF SUMMER, by Louisa Rawlings.
It’s set in France, though the hero has a plantation in Martinique. He had been
a pirate in his past, and had run afoul of his captain, who had vowed to kill
him some day. In the book, he’s uneasy when he’s in a seaport, still concerned
that the captain is searching for him, though he’s not obsessed with a sense of
danger. His heightened fearfulness and awareness is what reveals to the heroine
his dark past. It’s a small point, and doesn’t hang over his head later on in
the book. But I knew, when I wrote the book, that I had planted a thread I
could use if I ever wrote a sequel, particularly since the book ends with the
lovers boarding a ship for America and the islands. (And a pirate ship
assaulting them on the voyage?)
Another thing you must keep in mind is that the reader may not
have read the first book. You’ve got to approach the second book as though it
were a “first”, and the first book is merely the backstory. You fill in the
details bit by bit, as you would do with a “first” book, and resist the urge to
put TOO much backstory in. The readers who have read the first book can fill in
the gaps themselves; the readers who haven’t might become bored with too much
detail.
Okay. Got it? Now, back to my first trilogy. I wrote MARIELLE,
then got encouragement from editors I contacted to keep writing, though no one
was buying historicals at that moment, since Judith Krantz and “Glitz and
Glamor” had become fashionable. LYSETTE was easy to set up, since the hero in
Book One had a best friend, who made a perfect hero for the sequel. And since
Marielle herself didn’t appear in Book Two for quite some time, it was easy to
introduce her without the tedious backstory that might be necessary in the
beginning of a book. She simply appeared as the wife of hero #1 and became
friends with Lysette.
Now comes the problem. I was still in touch with several
editors after I wrote LYSETTE. One of them steered me to an agent. (In those
days, it was easy to contact editors--difficult to get an agent.) The agent
asked me to write an outline of a third book, so she could sell it as a
trilogy. I was stuck. The books were set in time of Louis XIII. If the third
book dealt with the children of Marielle and Lysette, I would be in the era of
Louis XIV, a very complicated time, which would involve heavy research---very
intimidating for a novice like me.
What to do?
I had left no interesting characters to carry on the story. I looked
over my four principals, and decided that, all things considered, Marielle
could safely die, and her husband would sooner or later find another woman. And
so, DELPHINE begins with the hero still mourning the loss of his wife the year
before. I never realized it was a No-No until I was at a
conference and a reader came up to me and said accusingly, “You killed off
Marielle! How could you?”
At any rate, the trilogy was sold to Pocket Books. MARIELLE
launched their Tapestry line and had a print run of 300,000. And I learned,
belatedly, how NOT to write a sequel!♥
Award-winning author Sylvia Halliday’s
first historical novel, written as Ena Halliday, was chosen by Pocket Books to
launch their Tapestry line. She subsequently wrote for Popular Library/Warner
and Harlequin Historicals under the pen name of Louisa Rawlings, the name of
her maternal great-grandmother. She has written for Kensington/Zebra under the
pseudonym of Sylvia Halliday. She has published 14 historical romances. Her
FOREVER WILD earned 5 stars from Romantic Times and Affaire de Coeur, and was a
RITA finalist for the Romance Writers of America. Her latest offerings,
published by Diversion Books, are MARIELLE (The French Maiden Series, #1),
LYSETTE (The French Maiden Series, #2), DELPHINE (The French Maiden Series,
#3), DREAMS SO FLEETING, GOLD AS THE MORNING SUN, THE RING, AND SUMMER
DARKNESS, WINTER LIGHT. FOREVER WILD, STOLEN SPRING, and PROMISE OF SUMMER,
written by her as Louisa Rawlings, are available from Samhain Publishing. Visit
her blog, Life Lessons From An Old Bitch, at www.sylviahalliday.blogspot.com
and follow her on Facebook @SylviaHalliday.
This is really helpful - thank you so much!
ReplyDelete